Rocio is a professional dancer and choreographer from Malaga, Spain, who has been living in Berlin since 2016. Her focus lies in contemporary dance, waving, and popping. Currently, she combines these dance styles as a dancer and choreographer, bringing her own distinctive movement language to the stage.
At the age of 18, she began studying Fine Arts at the University of Barcelona (UB), where she learned various techniques and artistic approaches. Thanks to this education, her dance creations and movement approaches have a broad artistic and diverse perspective that goes beyond mere dance.
She started dancing jazz and contemporary at the age of 10, but between 2012 and 2016, she completed two different urban dance trainings. One at the dance school „Tribu Urbana“ and the three-year training with Frank da Costa (Barcelona), where she received lessons in dance and music history, improvisation, and choreography/composition.

Rocio has constantly worked as a dancer for projects, films, advertisements, and companies with choreographers such as Kadir „Amigo“ Memis, Joy Alpuerto, Safet Mistele, Carlos Aller, Roberta Pupotto, Joachim Goldschmidt, and Lukas Malkowsky.

She has taught at various dance companies and studios such as Motions Tanz&Bewegung, Flyingsteps Academy, Seneca Intensive, Dart Studio, Marameo, and Stadttheater Gießen in Germany, but has also performed and taught in South Korea, Spain, France, Italy, and China.

In 2021, she worked on the project „Opferschicht“ by Kadir „Amigo“ Memis, in collaboration with HAU Berlin. She also worked as the lead dancer for the Berlin series „Babylon Berlin,“ danced for the brand JD Sports, and appeared in a tourism advertisement for Almuñecar, Spain.
In 2022, she was invited as a dancer for the project „UrbanFeminism“ to perform at the international dance festival Tanz im August. She worked on a theater piece with Joy Alpuerto titled „V-I-E-R,“ was part of the Redbull dancers for the event „Dance your style,“ and choreographed and danced for the project „BACH-TOD-TANZ.“
Currently, she is researching and working on her own movement approach, having received European funding for dance and movement research, and creating multiple pieces for various companies.